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The word “liminality” comes from the Latin līmĕn, meaning ‘threshold’ or ‘entrance’. Līmĕn can also mean ‘house’ or ‘dwelling’, and, more provocatively, the beginning or onset of something. The concept “liminality” was developed by French ethnographer Arnold van Gennep (Les rites de passage, 1909) to refer to the ambiguous, disorienting in-between stage that happens during a rite of passage (after “separation” but before “incorporation”), a ritual that indicates a change in someone’s social status. British anthropologist Victor Turner expanded on van Gennep’s concept (cfr. Turner, 1967), arguing that the liminal stage offers a period in which traditional barriers or expectations are dissolved, allowing more freedom regarding one’s identity. The involved individuals, the “liminal personae,” now estranged from the original group but not yet integrated into the new one, experience a period of “structural ‘invisibility’,” becoming “at once no longer classified and not yet classified” (Turner, 1967: 96). This condition, in which hierarchical structures transcend “distinctions of rank, age, kinship position, and […]even sex,” (Turner, 1967: 99-100), offers greater freedom to self-identity, but simultaneously greater confusion: “transitional beings […] have nothing. They have no status, property, insignia, secular clothing, rank, kinship position, nothing to demarcate them structurally from their fellows” (Turner, 1967: 98-99).
More recently, such a topic has been explored to demonstrate that liminality is “a pertinent, even necessary concept for understanding a whole series of contemporary phenomena in a historical period—ours—so variously characterized by constant change, uncertainty, and institutionalized contingency” (Thomassen 39).
In light of these considerations, we’d like to invite scholars to explore different issues in Italian Studies using liminality as a tool of analysis. Such topics may include (but are not limited to):
• transitional phases of historical or cultural periods
• political, geographical, and physical boundaries
• liminal spaces between identities on the individual or social level
• gender and sexuality in the public and private sectors
• moments of marginalization and integration
• intellectual and literary schools of thought, trends, and movements
• thematic readings of specific authors, texts or corpora
• literary canon and anti-canon
• mixes in narrative genres
• autobiographical and memoir writing, fiction and autofiction
• transformations, hybridizations, and linguistic contaminations
• postcolonial, transnational, and race studies
• cinema, television, and new media
• visual and performing arts